Lightroom 3.2 and the M8′s high-ISO noise

The Leica M8 has always had a reputation of being rather bad noise-wise at its higher ISO settings of 1250 and 2500. At least that’s what its opponents claimed – especially those with a Canon full-frame DSLR background. On the other hand, especially in black and white, the M8′s JPEG output has a very film-like look to it, and isn’t actually worse than what you get with 35mm film rated at ISO 400 or higher.

Yet with modern image processing software, noise isn’t really an issue anymore. Even if your RAW processing software has no sophisticated noise reduction routines, there are plug-ins and stand-alone solutions available that do a very good job – Neat Image for example. And with the latest iteration of their highly acclaimed RAW workflow software Lighroom, in version 3.2 Adobe have managed to improve the already solid noise reduction routines of the previous version even further, to a point where a dedicated plug-in becomes superfluous.

The following image has been shot in our rather dimly lit living room at ISO 2500, the exposure time was 1/30 second and the aperture was wide open at f/2. Still, the image turned out slightly underexposed, so I head to tweak the curves a bit to make it look fine. In my opinion, Lightroom 3.2 did an exceptionally good job here, finding a decent compromise between noise reduction and detail retention – the resulting image I got with Neat Image was actually not better! But judge for yourself! (Click the image for a larger 1000px version.)

Leica M8 + Biogon 35/2 @ f/2, 1/30, ISO 2500 | Processed in Lightroom 3.2

Some thoughts on hybrid system cameras

With Sony having just introduced their new α33 and α55 DSLRs featuring translucent mirrors, EVFs and HD video with phase-detection AF, one naturally wonders what is next to come. As I stated in my previous post about the two new Sony DSLRs, these seem to be the first in a yet-to-come line of new hybrid DSLRs, featuring the best of both worlds of traditional (D)SLR systems as well as mirrorless system cameras (so-called ‘EVILs’ or ‘CSCs’).

On the other side, rumour has it that Olympus is developing a new modular camera concept that could accomodate for both classical Four Thirds lenses using a mount module with mirror, as well as for the new Micro Four Thirds lenses using a mount module without mirror. This would also mean introducing different viewfinder modules – one optical, one electronical, and one could also imagine Olympus offering different backs with differently spec’ed sensors and displays.

Both systems aren’t entirely new or entirely radical, though, as they both build not only on earlier concepts (the pellicle mirror SLR is really a very old idea, and modular cameras are the standard in medium format photography), they are also both based on existing lens mounts. In both cases, this is actually a good thing, as upgraders need not buy into a completely new system, meaning they’d have to give up their existing lens collection.

But if you think the logical next step, it would mean to introduce a completely, and truly radically new system, totally giving up on existing solutions. Because ultimately, what Sony have just shown us is only the first step. The consequence would be to install the translucent mirror at a much steeper angle, thus reducing the flange back distance to a level on par with current mirrorless solutions. This way, the system could benefit of the smaller and lighter lenses that mirrorless systems offer, but still have phase-detection AF.
Another possibility would be to introduce Fujifilm’s recently developed on-sensor phase-detection system to larger sensors – provided it would work as well as a traditional PDAF system and not compromise image quality. In a further step, such a camera systems could then be modularized, offering not only great versatility through interchangeable modules, but also the possibility to upgrade only specific modules when technology makes the next leap forward.

I’m sure all of this – if not already in development – is already in the heads of the geniuses in the major camera makers’ development departments – if not even more. As always, I’m curious to see what the future brings!

Lens swap decision

The decision’s been made, I’ve made up my mind and will once again swap lenses for my M8.

Having been using the wonderful Zeiss Biogon 2/35 for several weeks now, I came to realize more and more that I need (want) a faster lens, as I do a lot of low-light shooting with frequently moving subjects (i. e. my son inside the house :-) ), where fast shutter speeds are needed. Technically, I could resort to ISO 2500 in b&w, but I don’t always want b&w. So, the Biogon has to go.

Enter the Voigtländer Nokton 35/1.2, the fastest 35mm lens ever built. (Or is it? It’s the fastest around, for sure.) It’s also quite a brick of a lens, but it has an outstanding reputation, said by some to rival even the legendary Leica Noctilux 50/1. As a 35mm lens becomes a 47mm effective on the M8, the Nokton is the ideal Noctilux substitute for the less wealthy among us.

Depending on whether I’ll be able to find a used one at a good price, I might additionally acquire a second, smaller walkaround lens, which would ideally be the Minolta M-Rokkor 28/2.8, and less ideally a Voigtländer Color Skopar Pancake 35/2.5 – although I’d rather have the 28, as I think having the same focal length twice would be a bit boring.

So, my Biogon is up for sale, and I will place ads at the common classifieds sections as well as eventually an auction at eBay. If you’re interested: it’s in as-new condition, used for only two months so far, black, and available with or without fitting UV/IR filter for the M8. I’ll be asking 750 € without and 775 € with filter.

UPDATE: And here’s the reason why I think I might actually eventually need a 28 more than another 35:

"Water fun" | Leica M8 + Biogon 2/35 @ f/2, 1/750 sec, ISO 160

I couldn’t back up further and thus didn’t get the whole scene into the frame. Had I had a 28 with me … :-)

The fastest 50mm for Canon DSLRs …

… is not f/1.2 L, but … this!

The Canon 50mm f/1.0 L superfast SLR lens

It’s been out of production for quite some time (and was replaced by said f/1.2 lens), but it is available on the used market from time to time – currently at B&H photo, as The Phoblographer reports. So there’s a Noctilux also for Canon shooters :-)

Of course, the real superfast Canon lens is the 50mm f/0.95


Buy the Canon EF 50mm f/1.2 L USM lens from B&H Photo Video Audio!

Canon developing new sensor with increased DR?

According to Photo Rumors, Canon is working on a new sensor that is able to read out single pixels at individual exposure times, ensuring greatest possible dynamic range.

This would be a major breakthrough in digital imaging, going far beyond what is currently possible with Fujifilm’s EXR technology (where two layers of pixels are read out at different exposure times to increase DR). While Fuji’s EXR DR technology already brings a major improvement in DR, Canon’s new sensor could offer a much greater ability to capture high-contrast scenes, as each pixel’s readout time could be adjusted according to the amount of light it captures, reading out pixels capturing bright areas at a much shorter exposure time than pixels capturing dark areas.

Wow, this is really exciting! :-)