At the moment, our household owns four cameras, one film and three digital.
My main camera is an Olympus PEN E-P1, with which I use the following lenses:
- Olympus M.Zuiko Digital 14-42mm f/3.5-5.6
- Panasonic Lumix G 20mm f/1.7
- Cosmicar/Pentax 25mm f/1.4 TV lens (with C->MFT adapter)
- Panasonic Lumix G Vario 45-200mm f/4-5.6
- Zeiss Biogon T* 35mm f/2 ZM (with M->MFT adapter)
My other regularly used digital camera is a Leica M8, which I am currently using with the aforementioned Zeiss Biogon T* 2/35 ZM lens. The M8 has been a fancy of mine since I first got in contact with Leica M rangefinder photography, and for my birthday this year I granted myself the M8 plus one lens as a special present. I have since deeply fallen in love with rangefinder photography and am using the M8 substantially more than the E-P1.
The film camera – which I use when I want to relax from the digital hassle – is a Yashica Electro 35 GT rangefinder film camera. It features a 45mm f/1.7 Yashinon DX lens and a large and bright parallax-corrected rangefinder.
The third digital camera in our household is a Fujifilm FinePix F200EXR, which my wife uses from time to time (which is why the battery lasts so long
).
Previously, I used/owned the following cameras:
- Panasonic Lumix DMC-FZ30 (a great tool with a superb Leica lens, regrettably sold to fund the Olympus)
- Pentax ME Super with SMC Pentax-M 50mm f/1.7 (a decent and compact film SLR, also sold to fund the Olympus)
My “digital darkroom” consists of Adobe Photoshop Lightroom 3 beta 2 (for RAW processing), NeatImage 6.0 (for getting rid of noise) and Paint.NET 3.5.2 (for further adjustments, mainly resizing for web).
My workflow is:
- Import RAW files into Lightroom
- Adjust white balance
- Recover shadows/highlights
- Adjust tone curve
- Apply sharpening and noise reduction (If LR’s noise reduction routines fail (e. g. on the M8′s higher ISOs), I export a TIFF and denoise it in Neat Image.)
Sometimes I also adjust some colors, convert to b&w, reduce fringing and add or remove vignetting.
Lately, I’ve found that developing one color and one b&w version and then merging them in Paint.NET can yield some very nice effects.
