Two new Impossible Project instant films

Via ePHOTOzine.

After presenting two monchrome instant films for Polaroid 600 and SX-70 instant cameras earlier this year, The Impossible Project now announced two more instant films, the PZ 600 Silver Shade for Polaroid Image, 1200 and Spectra instant cameras, as well as the PX 70 Color Shade for Polaroid SX 70 instant cameras.

According to the press release, PZ 600 is already available, while PX 70 will be available by July 29th. For more information, visit The Impossible Project.

Fujifilm GF670 medium format film rangefinder reviewed by Steve Huff

As announced earlier, Steve Huff reviewed the Fujifilm GF670 medium format film rangefinder, which offers 6×6 and 6×7 aspect shooting on 120 or 220 roll film. The camera has a silver body, 80mm f/3.5 fold-out bellows lens and is a Fujifilm branded copy of the black-bodied Voigtländer Bessa III, which is essentially the same camera.

Image courtesy of B&H Photo.

If you’re curious about medium format film, don’t miss this review, as it goes deeply into detail and features some marvelous pictures!


Buy the Fujifilm GF670 medium format rangefinder camera from B&H Photo Video Audio!

Contemplating film

Everytime I look at pictures taken on film, or read about shooting film instead of digital, I want to shoot film, too. And I could, as I have a film rangefinder loaded with Ilford HP5 lying around. But I just don’t do it. Why is this? I have a possible explanation.

Digital is just so versatile. You can easily push the ISO anywhere from slow to fast, you can shoot color or b&w just as your mood is, and you have instant pictures – at least to view on your screen. With film, you’re fixed to one speed setting, either color or b&w, and you have to either wait for it to be processed (and scanned), or take the time to process (and scan) it yourself. Also, you have to wait until your roll is filled with shots. With digital, you can easily take a look at (and process or publish) the pix anytime you want.

Now, I like the look of film compared to digital, I find it exciting to not instantly see the results, and I find it refreshing to stick to either color or b&w. But the ISO rating – well, that’s another story. As I regularly shoot indoors as well as outdoors, I’m so used to change ISO speed from one instant to another, that film seems so restrictive to me. At the moment, I have HP5 loaded into my Yashica, which has an ISO rating of 400 – too fast for outdoors (unless stopping down to f/5.6 or further) and often too slow for indoors (even when shooting wide open at f/1.7).

So the question is: Which film should I shoot in order to have fun both indoors and outdoors? Here are the two possibilites I came to think of:

  1. Ilford XP2. Nominally rated at 400 ISO, it is known to be quite flexible and can be over- or underexposed anywhere between 200 and 800 ISO without the need for push-processing. I could set the Yashica to 200 for outdoor shooting and to 500 (it doesn’t go further) for indoor shooting.
  2. Kodak Ektar 100. Kodak’s latest 135 color negative film, rated at 100 ISO. Said to produce very nice pictures with very low grain, great colours and great dynamic range. I’ve been wanting to shoot a roll since I heard about it. I’d have to stick to outdoor shooting, though, but this wouldn’t be much of a problem as indeed indoors I prefer digital (for its ISO versatility).

Another possibility would be to get a second Yashica body, preferrably a later model that goes up to 1000 ISO. This way, I could have one body loaded with slow color film (e. g. aforementioned Ektar 100), and the other body loaded with fast b&w film (e. g. the aforementioned XP2).

In any case, my next roll of film will be Ektar 100 – whenever I am through shooting that roll of HP5 …


Buy Ilford XP2 Super film from B&H Photo Video Audio!
Buy Ilford HP5 Plus film from B&H Photo Video Audio!
Buy Kodak Ektar 100 film from B&H Photo Video Audio!

Fujifil GF670 medium format film camera tested by Steve Huff

Steve Huff, well known real-world reviewer of Leica and other desirable stuff, is currently in possession of a Fujifilm GF670 medium format film camera, on which he is going to write a review soon. In the meantime, he has posted some first sample shots, and for those who aren’t at all familiar with medium format (as myself), I suggest taking a look at these. The tonal range, detail, depth and (absence of) grain (ok, all partly due to the film used) are simply amazing. When thinking of full frame (i.e. 35mm) as the ultimate performer, we shouldn’t forget there’s also medium and large format!


Buy the Fujifilm GF670 medium format rangefinder camera from B&H Photo Video Audio!

The Film Chronicles: Ilford XP2

Today I picked up the prints and scans of that roll of XP2 I was shooting with my Yashica Electro 35 GT last month – and I’m already in love with that film! It’s got great tonal range, and is incredibly versatile. You can shoot it anywhere between 200 and 800 ISO without having to adjust the processing, and you can push it below or beyond anywhere from 50 to 3200. I didn’t try to do so, but I did have some over- and underexposed shots that turned out perfectly. I’m going to get more XP2 as soon as I shot the one roll of HP5 I’ve currently loaded into my camera, and then I’m going to deliberately under- or overexpose it depending on the lighting situation and see how the shots turn out.

But first, here are a couple of lab scans from this roll, processed in Lightroom.

"Curiosity" | Yashica Electro 35 GT + Ilford XP2

Continue reading The Film Chronicles: Ilford XP2